Emerson thesis -- Writing, literature, and publishing
Found in 2106 Collections and/or Records:
Dig Two Graves, 2023
Digital marketing for the literary journal : a prospectus for redivider, 2015
Successful publications need to invest in digital marketing to find their audiences and stay relevant. Social media sparks conversation, and search engine optimization catapults conversions. Literary journals especially face the challenge of increasing su
Dimensions, 2023
Dine magazine, 2004
This master's project presents a business plan and a design comparison for Dine magazine. Dine is a cooking magazine that will target an audience generally overlooked by existing food publications: men and women in their early twenties to mid-thirties.
Dislocation angels and : Songs from the underground, 1994
Displaced New York, 2009
After years spent living in a Displaced Person's Camp in Germany, Vladimir and Katherine Kozlowski immigrate to the United States with their young son and Katherine's aging mother, Elza. Hoping to rebuild the lives that were taken from them in the turmoil
Dissolution, 2011
The following pieces of short fiction eschew categorization and overt themes, though certain commonalities emerge: disaffected narrators, coherence through disjunction, and the use of surprise and understatement. The stories in Dissolution dont' seek to e
Distances, 2003
Distances, 2001
Distant engines, 2002
Distractions, 2003
Diving into a decade : the British new wave cinema : 1959-1968 : [a book proposal], 1991
Proposal for a non-fiction book on British new wave cinema containing sections on research, the potential market for the book, similar books currently available, chapter overviews, and selected excerpts.
Do I look fat in this?, 2003
Do Not Resuscitate, 2022
Dodge & burn, 2008
These poems explore the lingering imprint specific people, places, and events can leave. -- abstract.
Dogs on the porch, 2017
"A collection of stories that follow characters who are broken in some way. They rage in their narrative space, having been abandoned by all including their author. Violent, lonely, and with a smidge of sentiment, these characters come together to say, 'Hey. Listen. Let me tell you what happened.' They do so in their own unique voice whether they are willing or not." -- Abstract.