Emerson thesis -- Performing arts
Found in 604 Collections and/or Records:
The Baltimore waltz : a master's project, 1994
The Beckett project, 2007
This project examines the value of using Samuel Beckett's plays in the high school classroom. It also provides a teacher's guide, written with the Massachusetts Arts Curriculum Frameworks in mind, for those teachers who would like to use Beckett but are u
The birds, 1994
The Birthday party by Harold Pinter : an approach to production, 1987
The challenges of creating a theatre project with a church youth group, 2002
The Codman Academy : enhancing traditional education through the world of theatre, 2003
The collage theatre of Charles L. Mee, 2006
This thesis will explore Charles Mee's the (re)making project" and his creation of collage theatre through an investigation of the factors that have influenced Mee's playwriting." -- abstract.
The concerns of the theatre for young audience designer, 1996
The contribution of the Negro to the legitimate theatre in America, 1953
The critical value of defining a character process : [discoveries in working on the Reincarnation of Jaimie Brown by Lynn Alvarez], 1997
The Cube competition, 2005
This paper is about the discoveries I made while directing a new 10-minute play called The Cube by Meghan Cryan. -- abstract.
The Curse of Nationalism: Teatr Powszechny's Klątwa and Modern Polish Catholicism, 2019
The development of the American musical comedy into a dramatic art form as seen through a journalistic perspective, 1900-1943, with post-Oklahoma! reflections, 1977
The direction of an original play performed in Kabuki style of theatre, 1969
The discourse of danger and redress : early modern domestic tragedy as the theatre of cruelty, 2005
This paper investigates three of the most popular domestic plays - Arden of Faversham, A Warning for Fair Women, and The Late Lancashire Witches - and views them through the dark lens of Antonin Artaud's Theatre of Cruelty in order to discover the social