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The Alchemy of Trans Voice: Gender Affirmation and Expansion Through the Linklater Voice Method, 2024

 Item
Identifier: te_2024spring_beauregard_allison.pdf

Scope and Content Note

From the Series:

The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.

The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and changed to digital submissions in 2020. There are also a handful of audiocassette tapes and one USB. The media components are stored onsite at the Archives.

Dates

  • 2024

Creator

Conditions Governing Use

The thesis is restricted due to FERPA, permission from the author is required before you can view the thesis.

Extent

315 pages

Language of Materials

From the record group: English

From the record group: Chinese

From the record group: Spanish; Castilian

Overview

"The speaking voice is a common and intense source of gender dysphoria for many transgender and gender non-conforming individuals, especially for those in public-facing and self-expressive fields such as acting. This project explores the challenges and benefits of using the Linklater Voice Method, one of the foremost voice training pedagogies for actors and public speakers, in combination with gender-affirming speech-language pathology practices, gender theory, and critical pedagogy to create a series of five private 90-minute lessons, encouraging the cultivation of a more embodied, empowered, intentional, mobile, and "free" voice both onstage and offstage. Teaching this series of lessons to six trans-identifying undergraduate theatre students yielded notable changes in participants' body-mind connection, depth of breath, access to desired resonance, self-perception of their voices, and socialized notions of voice and gender. Though some facets of the Linklater Voice Method were challenging or triggering for trans students due to their gender dysphoria, neurodivergence, race, internalized fatphobia, trauma, or negative previous experiences of voice work, this project's approaches and modifications to the Linklater Voice Method illuminated how the practice can evolve to become more effective, safe, accessible, and even euphoric for trans acting students." -- Abstract

Physical Location

RG 010.01D Performing Arts

Physical Description

315 pages

Repository Details

Part of the Emerson College Archives and Special Collections Repository

Contact:
Walker Building, Room 223
120 Boylston Street
Boston Massachusetts 02116 United States
(617) 824-8301