Skip to main content

Itchy, 2019

 Item
Identifier: vm_2019spring_zhou_yimo.pdf

Scope and Content Note

From the Series:

The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.

The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and changed to digital submissions in 2020. There are also a handful of audiocassette tapes and one USB. The media components are stored onsite at the Archives.

Dates

  • 2019

Creator

Conditions Governing Access

System requirements: Blu-ray Drive

Conditions Governing Use

The thesis is restricted due to FERPA, permission from the author is required before you can view the thesis.

Extent

92 pages (92 pages)

1 videodisc (1 videodisc (13 minutes) : sound, color ; 4 3/4 inches)

Language of Materials

From the record group: English

From the record group: Chinese

From the record group: Spanish; Castilian

Overview

"'Itchy's' strength mainly thanks to the well-written script. After several revisions, the script transit from one-dimensional drama into a mixture of comedy and anti-drama. The dynamic among characters is intriguing and creative. For example, the front desk lady tells a unforgettable story about her husband and how she was trying to slowly kill him, reflects the relationship dynamic between Yuki and Richard. She speaks in a point of view where women (or older married women) taking charge in a marriage and being assertive instead of passive submissive to their partner, showing a strong sense of feminism power. Her story intimidates Richard also educates him to stop objectify his life partner, but all in a subtle way -- she didn't directly tell him to shut up and treat your wife better. It's a effective scene where we see the character's background history and personal values. Scenes like this are throughout the whole script. In the late hotel scene, when Richard opens the door and sees his wife dancing alone enjoying herself, he feels extremely awkward and mixes with resentment and weak hope of her unlikely invitation. The nuance at that moment is so rich that the silence feels too unbearable. On the other hand, Yuki's agency established once she starts to dance alone. The glowing moonlight embracing her as a sign of acceptance of her identity. She truly dancing with her utter happiness and relief. Her husband is unfamiliar with her being so relaxed and full of light, so he interrupts her and throws her out of her wonderland. Is it an intentional move? We don't know. But the action is directly influenced her emotions and physical reaction." -- Artist Statement

Physical Location

RG 010.01C Visual & Media Arts

Physical Description

92 pages + 1 videodisc (13 minutes) : sound, color ; 4 3/4 inches

General

Media Component ID: TH-BRD087

Repository Details

Part of the Emerson College Archives and Special Collections Repository

Contact:
Walker Building, Room 223
120 Boylston Street
Boston Massachusetts 02116 United States
(617) 824-8301