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Theater -- Production and direction

 Subject
Subject Source: Library of Congress Subject Headings

Found in 149 Collections and/or Records:

Bridging the Digital Divide: Reuniting Actors with their Audiences in Virtual Performance, 2021

 Item
Identifier: te_2021spring_stouter_billie.pdf
Overview ""Limitations foster creativity. Tell an artist to paint anything, and he may struggle, but tell him to create something specific, in a set amount of time, for a certain audience, and these constraints might well push him to produce something he might never have come up with on his own." – John C. McCrae This article explores creative strategies for mitigating the challenges of virtual performance (as a result of the COVID-19 pandemic) to reunite audiences and actors. By utilizing technology...
Dates: 2021

Bringing theatre to the Salvation Army Kroc Center, 2007

 Item — Item 0113502905137: [Barcode: 0113502905137]
Overview

This project is a sampling of ideas for a Theatre Arts curriculum presented to The Salvation Army for possible implementation in the Boston Ray and Joan Kroc Corps Community Center of Roxbury, Massachusetts. -- abstract.

Dates: 2007

Bringing voice center stage, 1999

 Item — Item 0113501951835: [Barcode: 0113501951835]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 1999

Challenges of collaboration, 1997

 Item — Item 0113501732664: [Barcode: 0113501732664]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 1997

Common Grounds : a model for collaboration and innovation involving the education, arts and external communities of Bunker Hill Community College, 2002

 Item — Item 0113502641633: [Barcode: 0113502641633]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 2002

Company B : a business plan for a children's theatre program, 2005

 Item — Item 0113502759708: [Barcode: 0113502759708]
Overview

This piece includes a business plan illustrating the design and structure of an original children's theatre called Company B. -- abstract.

Dates: 2005

Complete access for all : autism-friendly performances at Wheelock Family Theatre, 2013

 Item — Item 0113503102148: [Barcode: 0113503102148]
Overview

The purpose of this work is to describe the process and events leading up to Wheelock Family Theatre's (WFT) first-ever offering of an Autism-Friendly Performance -- abstract.

Dates: 2013

Conjuring space : creating theatre opportunities, 2004

 Item — Item 0113502729974: [Barcode: 0113502729974]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 2004

Connected Pedagogy in Theatre Training: Embodiment, Empowerment and Empathy, 2021

 Item
Identifier: te_2021spring_bernfeld_eve.pdf
Overview "Can American theatre training in the 21st Century shed its psychology-based, Cartesian-influenced, hierarchical structure and instead work toward co-engagement, co-learning and co-liberation of students and teachers? The Coronavirus pandemic, coupled with the Black Lives Matter, #MeToo and Youth Climate movements, demands an examination of traditional power hegemonies, including in the training of theatre artists. This qualitative inquiry and associated grounded research looks at the...
Dates: 2021

Consent : teaching about sexual assault through theatre, 2005

 Item — Item 0113502742225: [Barcode: 0113502742225]
Overview

This paper discusses a play I wrote about teenage sexual assault, its legal ramifications and its eventual use as a discussion tool by the Norfolk County, MA District Attorney's office. -- abstract.

Dates: 2005

Creating ensemble in You Can't Take It With You, 2016

 Item
Identifier: te_2016fall_flynn_ian.pdf
Overview

"This paper explores the obstacles faced in directing a production of You Can't Take It With You by George Kaufmann and Moss Hart. In particular it describes, and reflects upon, the challenges faced in taking an ensemble driven approach to the production." --Abstract.

Dates: 2016

Creating together : defining approaches to collaboratively-generated devised theatre, 2010

 Item — Item 0113503028822: [Barcode: 0113503028822]
Overview

Popularized by the Theatre-in-Education movement in England and the work of Jerzy Grotowski in Poland, Collaboratively-Generated Devised Theatre has developed into a major movement in contemporary theatre. In this paper, the processes of three Massachuset

Dates: 2010

Crisis is opportunity : directing The Music Man at an English High School, 2005

 Item — Item 0113502768402: [Barcode: 0113502768402]
Overview

This project dealt with the challenges of directing an American musical with English middle school-aged students. -- abstract.

Dates: 2005

Dancing before Herod : learning the rhythm of self-scripting, 2004

 Item — Item 0113502726640: [Barcode: 0113502726640]
Overview

This paper reveals a few of the activities that aid in the self-scripting process, describes the education gained, and depicts the personal challenges that emerged from this process.

Dates: 2004

Developing a theater outreach program for youth through collective collaboration, 2001

 Item — Item 0113502549448: [Barcode: 0113502549448]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 2001

Different shades of black, 2005

 Item — Item 0113502746721: [Barcode: 0113502746721]
Overview

An original play created by seven METCO students at Lexington High School under the direction of Nicole Arena. -- abstract.

Dates: 2005

Directing a production of Into the woods for community theatre, 1991

 Item — Multiple Containers
Overview

Video is of a production of Sondheim's Into the woods by the Chelsea Community Theatre.

Dates: 1991

Directing Degas, c'est moi, 1998

 Item — Item 0113501927108: [Barcode: 0113501927108]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 1998

Directing George M! in the aftermath of September 11, 2001, 2003

 Item — Item 0113502656110: [Barcode: 0113502656110]
Scope and Content Note From the Series: The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and...
Dates: 2003

Directing Machinal : re-conceiving the play, reinventing my life, 2006

 Item — Item 0113502831796: [Barcode: 0113502831796]
Overview

The process of creating this production of Machinal ran parallel with a more complicated journey of rediscovering myself as a theatre artist after making a difficult decision to leave the business years before. -- abstract.

Dates: 2006