The Dark Knight : morality, chaos and the modern pantheon, 2010
Scope and Content Note
The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.
The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and changed to digital submissions in 2020. There are also a handful of audiocassette tapes and one USB. The media components are stored onsite at the Archives.
Dates
- 2010
Creator
- Pugh, Ian William (Author, Person)
Conditions Governing Use
The thesis is restricted due to FERPA, permission from the author is required before you can view the thesis.
Extent
109 pages ; 29 cm
Language of Materials
From the record group: English
From the record group: Chinese
From the record group: Spanish; Castilian
Overview
Tackling themes as diverse as post-9/11 terrorism, good" and "evil" abstracted in the face of chaos, and the importance of the individual in the media age, Christopher Nolan's film The Dark Knight (2008) eventually went on to make more than one billion do
Physical Location
Thesis Offsite Storage
General
LC Call Number(s): ECL-REMOTE[THESIS]PN1997.2.D37P84 2010; Thesis / Dissertation Note: Thesis (M.A.)--Emerson College, 2010.
Source
- Emerson College (Organization)
Repository Details
Part of the Emerson College Archives and Special Collections Repository
Walker Building, Room 223
120 Boylston Street
Boston Massachusetts 02116 United States
(617) 824-8301
archives@emerson.edu