Gender and genre in selected works of William Inge, 2011

Item — item: 0113503033665

Staff Only

Scope and Content Note

From the Series:

The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.

The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and changed to digital submissions in 2020. There are also a handful of audiocassette tapes and one USB. The media components are stored onsite at the Archives.

Dates

2011

Creator

Moriarty, Julia Kathleen (Author, Person)

Conditions Governing Use

The thesis is restricted due to FERPA, permission from the author is required before you can view the thesis.

Extent

53 pages ; 29 cm

Language of Materials

From the record group: English

From the record group: Chinese

From the record group: Spanish; Castilian

Additional Description

Overview

This paper analyzes Wililam Inge's use of psychoanalysis as a scientific framework for his realist works Come Back, Little Sheba, Picnic, The Dark at the Top of the Stairs, and Splendor in the Grass. By scrutinizing the id, ego, and superego relationship