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Fear and misery seen through viewpoints, 2007

 Item — item: 0113502851935

Scope and Content Note

From the Series:

The series contains Master's theses from 1943 to present. The theses consist of either a production book and a media component or solely a production book. The production books were originally submitted as physical bound copies, but were later submitted digitally. The physical production books are stored offsite and the digital production books are stored in the College's preservation repository.

The media components consist of U-matic tapes, VHS tapes, CDs, DVDs, and Blu-rays and changed to digital submissions in 2020. There are also a handful of audiocassette tapes and one USB. The media components are stored onsite at the Archives.

Dates

  • 2007

Creator

Conditions Governing Use

The thesis is restricted due to FERPA, permission from the author is required before you can view the thesis.

Extent

62 pages ; 29 cm

Language of Materials

From the record group: English

From the record group: Chinese

From the record group: Spanish; Castilian

Overview

This paper is a reflection of the process of using Anne Bogart's Viewpoints to aid in the development of distinct characters, both physically and vocally, in a production of three scenes from Bertolt Brecht and Margarete Steffin's Fear and Misery (The Jew

Physical Location

Thesis Offsite Storage

General

LC Call Number(s): ECL-REMOTE[THESIS]PT2603.R397Z893 2007; Thesis / Dissertation Note: Thesis (M.A.)--Emerson College, 2007.

Source

Repository Details

Part of the Emerson College Archives and Special Collections Repository

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